Build a Voice That Shines for Christ
Conservatory-Level Sacred Voice Formation
Rooted in Classical Bel Canto. Formed in Faith.
Sacred voice training is not enrichment. It is formation.
Steward the Gift. Train with Excellence. Sing with Joy.
For youth, families, choir members, and chanters seeking serious musical formation rooted in faith and excellence.
Sing to the Lord
a New Song
Serious Formation for the Whole Instrument
This is intentional development of the entire instrument —
breath, resonance, diction, stamina, musical fluency, and spiritual alignment.
Bel Canto Technique
Musical Fluency
Character Development
Christ-Centered Growth
Christ is the North Star.
Voice is the vehicle.
Capabilities Focused
This training is individualized, disciplined, and developmentally appropriate. It is focused and intentional. Students are met where they are, every session.
Youth & Individual Students
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Build strong Bel Canto vocal foundations
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Learn to sing with strength and freedom
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Strengthen breath support and vocal control
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Prepare confidently for auditions and performances
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Grow in discipline, confidence, and joy
Choir Members & Aspiring Chanters
In addition to foundational training:
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Develop a strong, reliable voice you understand and can control
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Freedom from strain, guessing, performance anxiety, and fear
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Deep musical understanding — ear training, theory, and structure
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Confidence grounded in mastery and faith — not comparison
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Prayerfulness, inner freedom, and joy
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A voice aligned with prayer and praise, built on a foundation of love and humility
Marlen Nahhas
"In the years studying voice with Mariam, she helped build my instrument from scratch into one that allowed me to pursue an international operatic career.
Mariam provides traditional bel canto vocal education, while also nurturing and caring for the emotional aspects of the art. I was incredibly afraid of being in the spotlight and especially hard on myself as a vocalist.
With her help, not only was my technique improving, but also my emotional fortitude and confidence as well. While my focus was classical singing, she also openly welcomed other genres and styles. I was able to hone my belting abilities and participate in musicals with ease.
When kindness and patience meets technical prowess, you get Mariam."
From the stage of the Metropolitan Opera, San Francisco Opera, the Kennedy Center, Ms. Nahhas has been described as, "A soprano of grace and power," by Naples Daily News.
Recently, she completed the Cafritz Young Artists program with Washington National Opera and was seen in The Magic Flute (Pamina), La traviata (Violetta) directed by Francesca Zambello, Tesori’s The Lion, The Unicorn and Me (Flamingo), The Consul (Foreign Woman), the world premiere of Sankaram’s Taking Up Serpents (Queer Kid), and a Concert of Comedic Masterpieces under the baton of Maestro Joseph Coloneri. She has served as an apprentice at the coveted Santa Fe Opera where she covered in Le nozze di Figaro (Countess).
And this?
This is just the beginning...
